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| Isolde Woudstra, Thumbs; Slayer, 2012 |
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| Isolde Woudstra, One has to learn to be phlegmatic about things going wrong at the office, 2012 |
Photographer Isolde Woudstra manages to capture the eerie hyperrealism of daily life
through the medium of photography taking what exists and twisting it
in a way that reveals the peculiarity of human behaviour.
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| Zack Dougherty, Blob Phone Booth, 2013 |
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| Marlo Pascual, Untitled, 2010 Two Didital C-prints Plexiglas Sintra, 78 x 1.82 x 13 cm |
“So the heart be right, it is no matter which way the head lies.” Sir Walter Raleigh
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| Marlo Pascual, Untitled, 2011 Digital C-print, 203 x 152 cm |
Marlo Pascual ‘takes’ photographs, they are just not her own.
She resurrects pictures, and fragments of pictures, from long forgotten
archives. They are blown-up beyond their original formats.
A tiny graduation photo
destined for a wallet or an 8x10 glossy publicity still
destined for a newspaper.
Torn in half or folded in such a way as to
obscure vital information,
then mounted on stiff supports and leant against
walls.
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| Anouk Lamm Anouk, Mondlammgeburt, 2014, Pen on Paper |
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